Musings about painting from the human figure and the human experience.
Well I'll agree with you there Sharon. I suppose one of the readings of painting is that very time fluxed and fixed slow release that one gets from trying to work out how it happened. I had that very experience in front of a painting in the National Gallery, London, the last time I was there. Of course it doesn't always make for satisfying reading but when it does................Of course one can also fake it; Time mag covers, Teflon Don.I'm still here,Ian.
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